Category: theatre criticism
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The Little Falls theatre community theatre’s production of Into the Woods shows that there’s still plenty of creativity to be found in this material. It’s probably my favorite musical of all time, and I’ve seen more than a half-dozen productions of it in different capacities. This production, directed by Emma Ahlin, shows a great deal…
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Theatre is about telling stories, music is about capturing emotion, and art is about representing life. Artistry MN has accomplished all of that with their new production of In the Heights. Director Maija García’s production of Lin Manuel Miranda’s musical about a few days in the life of a Washington Heights community embodies the joy…
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It seems weird that it took until now for me to finally see Wicked live. I was generally aware of the musical’s premise and performed a couple of the songs in high school band, but it wasn’t until the film duology was released that I actually saw any of the show itself. Of course, the…
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“The butler did it” is one of those turns of phrase that has existed as a cliché for so long that it’s impossible to think of a context in which it could be used seriously. Jeffrey Hatcher’s new play The Butler Did It, having its world premiere at Park Square Theatre in St. Paul, is…
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It may be a musical comedy by genre, but there were times as I watched the Brainerd Community Theatre’s production of Mean Girls that had me so stressed out I felt like I was wriggling out of my skin. Co-directors Amy Borash and Travis Chaput are able to capture the anxieties of being in high…
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Into the Woods is material that is just about as close to perfection as you can find in the American theatre canon. Between Stephen Sonheim’s unforgettable music and James Lapine’s tightly-constructed and witty book, I’ve often said almost any group with a baseline level of talent and resources can put on a satisfying show. This…
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Over the last few years, there’s been a trend on various forms of social media of women taking on the role of “tradwife”, where they relegate themselves to, and presumably find fulfillment in, traditionally conservative gender roles of the woman as homemaker and nurture. Laura Wade’s play Home, I’m Darling may have preceded this trend…
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My Ántonia, a new musical having its world premiere at Theatre Latte Da in Minneapolis, is a triumphant production filled with emotion, joy, and humanity. It’s a story that speaks effortlessly about immigrants, the obstacles women face in society, about masculinity, class divides, even art – and it’s all wrapped up in a love story…
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Since it was made available for licensing, Irene Sankhoff & David Hein’s seminal musical Come From Away has become one of the most produced shows in the country. In Minnesota alone there are a half-dozen productions planned over the next two years or so. With so many planned, what is it that makes Come From…
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The Great Gatsby is one of the great paradoxes of adaptation. On the one hand, it feels natural – the story has vivid characters, iconic imagery, buried secrets, and stark commentary on the American dream. On the other, much of the drama is internalized within the characters’ emotional states, and F. Scott Fitzgerald’s poetic language…